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Overall, it was not the best build quality or ergonomics I have ever seen, and in fact may rank somewhere around the lower middle. It would definitely take some getting used to for someone used to playing Selmers all their life. A “name” piece that would be equivalent would be something like a Slant Sig Link.Įrgnomically, the horn was alright, but nothing special. Succesful pieces were my Morgan 3C, a Woodwind Co. I had the best results using a medium- large chamber piece.
#Dolnet saxophone serial numbers series
Overtone series based on the low Bb, B, C#, and C were pretty easy to get out and pretty well in tune with themselves. After some tests with a tuner, I opened them up even more, and ended up with a VERY loud, very powerful and very well in tune horn, including altissimo, which popped out very nicely. I had a feeling that fairly open key heights was what this tank of a horn wanted, so I started off fairly open.
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Whoever was on buffing duty the day this horn was made wasn’ t too careful around posts and toneholes, leaving me to correct some seriously wavy toneholes and some posts that weren’ t even flat! These are the type of mistakes I expect to see on an import student horn, not a French pro horn.Īll in all, it was a pretty exhaustive overhaul, and I really had some time to get to know the horn. Some keywork and keyguards not completely symmetrical. Some soldering not done very attractively. Not one you are going to dent easily or take out of its case to discover it has gone all out of sorts during the ride in your car trunk or the subway.Ĭons: Although built solid, not built well. Pros: Built solid, plenty of material to work with. Heavy, thick body and neck, with very thick hinge tubes and rods on the keys made for a very sturdy and heavy sax. At first I chalked it up to the extra keywork, but as I got into it I realized it was also because the horn was built like a tank. The first thing you notice about this horn is that it is HEAVY. This particular horn was in satin gold plate with flat gold plating on the keys and engraving, with a protective coat of lacquer, a very rare finish for Dolnets. The Royal Jazz is the same as a Bel Air model, with the addition of a microtuner on the neck, a high E trill, a forked Eb, a high F# (which on this horn was configured as a fourth palm key), and G# trill key.
#Dolnet saxophone serial numbers full
I recently performed a full overhaul on a Dolnet Royal Jazz alto saxophone in gold plate.
